Intensity

I have learned that when it comes to painting, what is in must come out. This has to do with feelings, attitudes, anxieties, fears, anticipations and health.

I supposed a painter can copy the work of another artist and not communicate his authentic self, but when an original piece is created the world of the internal makes its way to the world of the external.

This painting is a prime example. I forget why, but in August of 2006, I was plagued with a strong depression. One evening I started to paint a simple sunflower painting in my home studio in Oregon. I found myself working it and reworking it most of the night.

When I saw it the following morning I was horrified. I hated the depictions of strong conflict, pain, intensity and suffering. I was actually embarrassed of this piece, so I hid the painting … until … a psychologist was visiting our home and asked me about recent works. I showed her this and she was enthralled with its honesty and power. She had to have it. I was both surprised and pleased.

Details:Acrylic on Stretched canvas. 16 x 13 inches; 40.6 x 33 cm.Price:In a private collection in Eugene, Oregon